![]() In an effort to improve my own work, I endeavored to learn as much as I could about fractals and about art in general. When I was invited to exhibit and sell my work in local (Memphis, Tennessee) galleries and art festivals, my perspective changed from enthusiastic dabbler to serious artist. In the beginning I created works solely for my own pleasure. My own experience with fractals began in 1997. Fractal art has the singular ability to wed classic aesthetics with cutting edge techniques to create work that is truly unique. It can look like a bit like painting, or photography, but in no other medium can the infinite detail of fractal structures be reproduced. And artists of the 3D modeling genre use sophisticated programming to replicate scenes and landscapes – both real and fantastic – but the finished works are quite similar to what painters and photographers have been creating for a long time. Other techniques use software to apply darkroom processing effects to or otherwise manipulate photographs. Some digital art is simply drawing and painting with new tools. ![]() But in the world of digital art, fractals are truly unlike anything else. The word "unique" is terribly overused and every artist wants to think that what they do is unique. It is this process that transforms an intriguing, but lifeless fractal shape into a finished work that reveals the artist's creative temperament. Rather, the artistic value of a work of fractal art is inextricably linked with the artist's creative process – the thoughtful selection and manipulation of coloring algorithms and gradients, which give shape, color, lighting and texture to the fractal structure compositional choices of zooming and cropping and the merging of several layers of fractal elements together. In his "Fractal Art Manifesto" Kerry Mitchell propounds that fractal art is not something that can be made by a computer alone, nor is it something that everyone with a computer can do well. A computer is required to perform, at the direction of the artist, the necessary calculations that transform the fractal from its native form – a mathematical formula – into shapes we can see but it has very little to do with aesthetics. įractals, like photographs, depict objective realities that already exist. ![]() Recently developed software such as Ultra Fractal and XenoDream now offer users many powerful and versatile features – the capability to layer and combine fractal elements together for example – that enable skilled artists to achieve striking artistic effects. As more diverse calculation formulas and coloring algorithms were written, placing greater creative control in the hands of the fractal explorer, some enthusiasts began to view and classify these fractal images as art. They discovered shapes that were at times familiar yet almost other-worldly and generated thousands of visually interesting images. Using self-written programs or the popular freeware program, FractInt, early fractal explorers shared a fascination with the self-similarity and surprising complexity of the Mandelbrot and Julia sets. Fractals have the characteristic of infinitely repeating self-similarity that one sees in nature: in ferns, trees, mountains, and coastlines.įractals have been studied by mathematicians for the last hundred years, but it was Scientific American's 1985 article about Benoit Mandelbrot's discoveries that introduced the general public to fractal geometry. The fractal's shapes, colors, and textures are all controlled by these formulas, which are, in turn, controlled by the artist's manipulation of their parameters. ![]() Fractals are geometric representations of certain specialized mathematical formulas. Under the relatively new umbrella of Digital Art – art made using a computer – there are several different genres and techniques, one of which is Fractal Art. ![]()
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